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GRECO, El

Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

GRECO, El Female Portrait painting


Female Portrait
Female Portrait
Painting ID::  43742
  c. 1595 Oil on canvas, 40 x 33 cm
  c. 1595 Oil on canvas, 40 x 33 cm

 

 
   
      

Piero pollaiolo

Italian Early Renaissance Painter, ca.1441-1496

Piero pollaiolo Female portrait painting


Female portrait
Female portrait
Painting ID::  58307
  mk261 Florence about 1480 wooden egg tempera 55 x 34 cm
  mk261 Florence about 1480 wooden egg tempera 55 x 34 cm

 

 
   
      

Titian

Italian High Renaissance Painter, ca.1485-1576 Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.

Titian Female Portrait painting


Female Portrait
Female Portrait
Painting ID::  76433
  . 1536 Medium Oil on canvas Dimensions 96 x 75 cm cyf
  . 1536 Medium Oil on canvas Dimensions 96 x 75 cm cyf

 

 
   
      

Titian
Italian High Renaissance Painter, ca.1485-1576 Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
Female Portrait
. 1536 Medium Oil on canvas Dimensions 96 x 75 cm cyf

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| Entrance to Honolulu Harbor | derby day, c. | Classical hunting fox, Equestrian and Beautiful Horses, 066. | The Triumph of the Church | Bustling activity in a Dutch harbour |


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